ClipArt ETC
"Banks's Expedition- burning of the state capitol of Louisiana, Baton Rouge, Tuesday night, December 30th, 1862."— Frank Leslie, 1896

Burning of Baton Rouge

"Banks's Expedition- burning of the state capitol of Louisiana, Baton Rouge, Tuesday night, December…

"The war in Louisiana. The army of General Banks crossing Vermilion Bayou, October 10th, 1863. Our artist presents a view of the Federal army under General Banks crossing Vermilion Bayou on October 10th, 1863. He reached it on the 9th, and finding the bridge destroyed, shelled the shores, and meeting no response, ordered his engineers to lay the pontoon bridges, on which the forces crossed, as shown in our engraving."— Frank Leslie, 1896

War in Louisiana

"The war in Louisiana. The army of General Banks crossing Vermilion Bayou, October 10th, 1863. Our artist…

"The War in Texas. Brownsville, occupied by the army under Major General N. P. Banks, in 1863. The sudden movement of General Banks by water, after drawing Magruder into the low grounds of Louisiana, was most successful, and the important line of the Rio Grande was occupied without loss. The importance of this movement cannot be overrated. This great step was looked for by the country after General Banks sailed to New Orleans. We give a fine view of Brownsville, which was immediately occupied, but not before the Confederates retreating from Fort Brown had endeavored to destroy it. The Federals extinguished the fires and a bloody fight ensued. Our sketch shows the ferries busy at work transporting the cotton to the Mexican shore."— Frank Leslie, 1896

War in Texas

"The War in Texas. Brownsville, occupied by the army under Major General N. P. Banks, in 1863. The sudden…

"The war in Louisiana- New Iberia."— Frank Leslie, 1896

New Iberia

"The war in Louisiana- New Iberia."— Frank Leslie, 1896

"The war in Louisiana. General Banks's army, in the advance on Shreveport, crossing Cane River, March 31st, 1864. Our sketch represents the Army of the gulf, under General Franklin, crossing Cane River by bridge and pontoons, on March 31st, 1864. The point sketched is about fifty-four miles above Alexandria. The battle at Cramps' Hill which followed is thus described by our correspondent: 'On the 2nd of April our cavalry advancing on Shreveport came upon the Confederates in force at Cramp's Hill, twenty-two miles from Nachitoches, where the roads to Manny and Pleasant Hill branch off. Major Bassford, being in the advance of Lucas's brigade, skirmished with the Confederates, who made a stand eight times, but could not hold their ground. The first line of our skirmishers was dismounted and the second mounted. After their repulse here the Confederates retired up the Manny road, pursued by Major Bassford. They made a stand and opened with artillery, but Rawles's battery silenced their guns and routed De Bray's Texas cavalry in confusion."— Frank Leslie, 1896

War in Louisiana

"The war in Louisiana. General Banks's army, in the advance on Shreveport, crossing Cane River, March…

"Assault of the Second Louisiana [African American] Regiment on the Confederate works at Fort Hudson, May 27th, 1863. The Battle of Fort Hudson was a severe and well-fought action. The Federal troops displayed their usual bravery, and were well handled by General Banks, driving the enemy to his second line of works. Of the [African American] regiments General Banks, in his official report, says: 'They answered every expectation. Their conduct was heroic. No troops could be more determined or more daring. They made during the day three charges upon the batteries of the enemy, suffering very heavy losses, and holding their position at nightfall with the other troops on the right of our line. The highest commendation is bestowed upon them by all officers in command on the right. Whatever doubt may have existed heretofore as to the efficiency of organizations of this character, the history of this day proves conclusively to those who were in a condition to observe the conduct of these regiments that the Government will find in this class of troops effective supporters and defenders. The severe test to which they were subjected, and the determined manner with which they encountered the enemy leave upon my mind no doubt of their ultimate success. They require only good officers, commands of limited numbers, and careful discipline to make them excellent soldiers.'"— Frank Leslie, 1896

Fort Hudson

"Assault of the Second Louisiana [African American] Regiment on the Confederate works at Fort Hudson,…

"Voluntary dispersion of Kirby Smith's Confederate army at Shreveport, La., May 23rd, 1865. There was a great difference between the surrenders of General Lee and Kirby Smith. The former surrendered his army to General Grant; while the army under Kirby Smith dispersed itself, leaving the Confederate leader no army. Our sketch represents the manner in which those roughest of the Confederates broke up their military organization, and scattered to their homes and haunts. The following is Kirby Smith's orders, dated Houston, May 30th. 'Soldiers: The day after I refused the demand of the Federal Government to surrender this department I left Shreveport for Houston; I ordered the Missouri, Arkansas and Louisiana troops to follow. My purpose was to concentrate the entire strength of the department, await negotiations, and, if possible, secure terms alike honorable to soldier and citizen. I reached here to find the Texas troops disbanded and hastening to their homes. They had forsaken their colors and commanders; had abandoned the cause for which we were struggling, and appropriated the public property to their personal use. Soldiers, I am left a commander without an army; a general without troops. You have made your choice. The enemy will now possess your country, and dictate his own laws. You have voluntarily destroyed your organization and thrown away all means of resistance.'"— Frank Leslie, 1896

Kirby Smith

"Voluntary dispersion of Kirby Smith's Confederate army at Shreveport, La., May 23rd, 1865. There was…

"The war in Louisiana- Battle of Mansfield, between General Banks and General Dick Taylor, April 8th, 1864."— Frank Leslie, 1896

War in Louisiana

"The war in Louisiana- Battle of Mansfield, between General Banks and General Dick Taylor, April 8th,…

"The war in Louisiana- Battle of Grand Coteau- capture of the Sixty-seventh Indiana by the Texas Mounted Infantry, November 3rd, 1863."— Frank Leslie, 1896

Battle of Grand Coteau

"The war in Louisiana- Battle of Grand Coteau- capture of the Sixty-seventh Indiana by the Texas Mounted…

"The war in Louisiana- General Franklin's army crossing the prairie in Lafayette Parish, November 16th, 1863."— Frank Leslie, 1896

Lafayette Parish

"The war in Louisiana- General Franklin's army crossing the prairie in Lafayette Parish, November 16th,…

Seal, with a shovel and hoe on it.

True-temper seal

Seal, with a shovel and hoe on it.

"Battle of Belmont, Mo., opposite Columbus, Ky, November 7th, 1861- Federal forces commanded by U. S. Grant; Confederate forces, by Leonidas Polk. Explanation: 1. Brigadier General Grant and staff directing the movements of the troops. 2. Brigadier General McClernand leading the charge at the head of the Thirty-first Illinois. 3. Thirty-first Illinois, Colonel Logan. 4. Body of Lieutenant Colonel Wendtz, Seventh Ohio. 5. Body of Captain Pulaski, aid-de-camp to McClernand, killed while leading the charge. 6. Caisson ordered to the field from the rear. 7. Twenty-seventh Illinois, Colonel Buford, taking the camp colors of the Confederates. 8. Thirtieth illinois, colonel Fouke. 8A. Twenty-second Illinois, Colonel Dougherty. 9. Light artillery, Captain Taylor. 10. Seventh Ohio, Colonel 11. Captain Schwartz, acting chief of artillery, taking the Confederate battery. 12. Watson's Louisiana field battery. 13. Confederate artillery horses. 14. Battery of heavy ordinance at Columbus. 15. Encampment near Columbus. 16. Confederate ferryboat. 17. Columbus"— Frank Leslie, 1896

Battle of Belmont

"Battle of Belmont, Mo., opposite Columbus, Ky, November 7th, 1861- Federal forces commanded by U. S.…

Found from Louisiana to New Jersey, the blue-winged yellow warbler migrates south to tropical parts of America during the winter.

Blue-Winged Yellow Warbler

Found from Louisiana to New Jersey, the blue-winged yellow warbler migrates south to tropical parts…

The old Colony Seal.

Colony Seal

The old Colony Seal.

"Weighing six to twelve pounds; it feeds on mollusca, crustacea, and young fish; inhabits sandy banks and muddy grounds in the seal is sometime staken with hooks and sometimes with spears, though more generally with trawl-nets." — Goodrich, 1859

Plaice

"Weighing six to twelve pounds; it feeds on mollusca, crustacea, and young fish; inhabits sandy banks…

"Penn's Seal and Signature. This is a representation of the seal and signature of William Penn attached to the Pennsylvania charter. The names of the subscribing witnesses to the instrument are James Claypoole, Francis Plumsted, Thomas Barker, Philip Ford, Edward Pritchard, Andrew Soule, Christopher Taylor, Charles Lloyd, William Gibson, U. More, George Rudyard, Harbt. Springett."—Lossing, 1851

Penn's seal and signature

"Penn's Seal and Signature. This is a representation of the seal and signature of William Penn attached…

"Great Seal of Virginia."—Lossing, 1851

Virginia Seal

"Great Seal of Virginia."—Lossing, 1851

"Seal and signature of Tryon. William Tryon was a native of Ireland, and was educated to the profession of a soldier. He was an officer in the British service. He married Miss Wake, a relative of the Earl of Hillsborough, secretary for the colonies. Thus connected, he was a favorite of government, and was appointed lieutenant governor of North Carolina, in 1765. On the death of Governor Dobbs, he succeeded him in office, and exercised its functions until called to fill the same office in New York, in 1771. The history of his administration in North Carolina is a record of extortion, folly, and crime. During his administration in New York, the Revolution broke out, and he was the last royal governor of that state, though nominally succeeded in office in 1780 by General Robertson, when he was returned to England. His property in North Carolina and in New York was confiscated."—Lossing, 1851

William Tryon Seal

"Seal and signature of Tryon. William Tryon was a native of Ireland, and was educated to the profession…

"Great Seal of the State of North Carolina."—Lossing, 1851

North Carolina Seal

"Great Seal of the State of North Carolina."—Lossing, 1851

"Pulaski's seal."—Lossing, 1851

Pulaski's Seal

"Pulaski's seal."—Lossing, 1851

"William the Conqueror (1066-1087), as represented on his seal. Although William really ruled 'as king by the edge of the sword,' he preferred to base his title on the promise of Edward the Confessor rather than on force of arms; and he adhered to far as possible to Anglo-Saxon usages, causing himself to be crowned at Westminster and binding himself to frame good laws and observe justice, as his predecessors had done. In fact he professed to regard himself as the lawful successor of the Anglo-Saxon kings, and not merely as a feudal conqueror. He had great difficulty in making the people recognize him as such, but when this was once done, he was a far more powerful ruler as king of England than he was as Norman duke."—Colby, 1899

William the Conqueror

"William the Conqueror (1066-1087), as represented on his seal. Although William really ruled 'as king…

Seal of Massachusetts Bay Company

Massachusetts Seal

Seal of Massachusetts Bay Company

"The Eagle is a gold coin of the United States, value $10; half-eagle, $5; quarter-eagle, $2.50, double eagle, the largest gold coin of this country, $20."—(Charles Leonard-Stuart, 1911)

Eagle on Seal of United States

"The Eagle is a gold coin of the United States, value $10; half-eagle, $5; quarter-eagle, $2.50, double…

"The Seal, of the family Phocidæ, or seal tribe, are, of all four-limbed mammiferous animals, those which display the most complete adaptation to residence in the water. The seal has considerable resemblance to a quadruped in some respects, and to a fish in others. The head is round, and the nose, which is broad, resembles that of a dog, with the same look of intelligence and mild and expressive physiognomy. It has large whiskers, oblong nostrils, and great black sparkling eyes. It has no external ears, but a valve exists in the orifices, which can be closed at will, so as to keep out the water; the nostrils have a similar valve; and the clothing of the body consists of stiff glossy hairs, very closely set against the skin. The body is elongated and conical, gradually tapering from the shoulders to the tail. The spine is provided with strong muscles, which bend it with considerable force; and this movement is of great assistance to the propulsion of the body."—(Charles Leonard-Stuart, 1911)

Hooded Seal

"The Seal, of the family Phocidæ, or seal tribe, are, of all four-limbed mammiferous animals,…

Seal of New Amsterdam

New Amsterdam

Seal of New Amsterdam

Seal of New Netherland

New Netherland

Seal of New Netherland

Seal of East Jersey

East Jersey

Seal of East Jersey

Seal of the proprietors of Carolina.

Carolina

Seal of the proprietors of Carolina.

"A Cylinder Seal" — Morey, 1903

Cylinder Seal

"A Cylinder Seal" — Morey, 1903

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather, the boquet, and the flame. There is a vast difference of opinion as to the origin and meaning of this motif. Some authorities claim it was intended for the fir cone, which served as an emblem of immortality and was revered by the ancients; some say it was intended for the palm leaf, which has been handed down by the Greeks as a symbol of victory; others say it was intended to represent a loop which the river Indus makes on a vast plain in upper Cashmere as seen from the Mosque. By some it is said to represent the crown jewels or chief ornament in the old Iranian crown, which is a composite jewel of pear shape. Tradition tells us that the signing of documents in such a manner was a custom well known in the East. This design has also been called the almond, the feather, the bouquet, and the flame on account of its fancied resemblance to these objects. We have selected the name "pear" because the image it conveys is more clearly recognized by the western mind. It is that which its shape most suggests. The Pear design is common in many kinds of rugs, especially in those of Persia and Kurdistan, but it varies greatly in varieties of form and size. The large size is usually employed in the Caucasus and Southern Persia, while the small size is used more frequently in Central and Western Persia. In the Saraband, Shiraz, Herat, Khorasan, and Senna, it frequently covers the whole field. In the two former alternate rows usually have the stems of the pears turned in opposite directions, while in the three latter the stems are usually turned in the same direction."

Pear Design

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather,…

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather, the boquet, and the flame. There is a vast difference of opinion as to the origin and meaning of this motif. Some authorities claim it was intended for the fir cone, which served as an emblem of immortality and was revered by the ancients; some say it was intended for the palm leaf, which has been handed down by the Greeks as a symbol of victory; others say it was intended to represent a loop which the river Indus makes on a vast plain in upper Cashmere as seen from the Mosque. By some it is said to represent the crown jewels or chief ornament in the old Iranian crown, which is a composite jewel of pear shape. Tradition tells us that the signing of documents in such a manner was a custom well known in the East. This design has also been called the almond, the feather, the bouquet, and the flame on account of its fancied resemblance to these objects. We have selected the name "pear" because the image it conveys is more clearly recognized by the western mind. It is that which its shape most suggests. The Pear design is common in many kinds of rugs, especially in those of Persia and Kurdistan, but it varies greatly in varieties of form and size. The large size is usually employed in the Caucasus and Southern Persia, while the small size is used more frequently in Central and Western Persia. In the Saraband, Shiraz, Herat, Khorasan, and Senna, it frequently covers the whole field. In the two former alternate rows usually have the stems of the pears turned in opposite directions, while in the three latter the stems are usually turned in the same direction."

Pear Design

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather,…

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather, the boquet, and the flame. There is a vast difference of opinion as to the origin and meaning of this motif. Some authorities claim it was intended for the fir cone, which served as an emblem of immortality and was revered by the ancients; some say it was intended for the palm leaf, which has been handed down by the Greeks as a symbol of victory; others say it was intended to represent a loop which the river Indus makes on a vast plain in upper Cashmere as seen from the Mosque. By some it is said to represent the crown jewels or chief ornament in the old Iranian crown, which is a composite jewel of pear shape. Tradition tells us that the signing of documents in such a manner was a custom well known in the East. This design has also been called the almond, the feather, the bouquet, and the flame on account of its fancied resemblance to these objects. We have selected the name "pear" because the image it conveys is more clearly recognized by the western mind. It is that which its shape most suggests. The Pear design is common in many kinds of rugs, especially in those of Persia and Kurdistan, but it varies greatly in varieties of form and size. The large size is usually employed in the Caucasus and Southern Persia, while the small size is used more frequently in Central and Western Persia. In the Saraband, Shiraz, Herat, Khorasan, and Senna, it frequently covers the whole field. In the two former alternate rows usually have the stems of the pears turned in opposite directions, while in the three latter the stems are usually turned in the same direction."

Pear Design

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather,…

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather, the boquet, and the flame. There is a vast difference of opinion as to the origin and meaning of this motif. Some authorities claim it was intended for the fir cone, which served as an emblem of immortality and was revered by the ancients; some say it was intended for the palm leaf, which has been handed down by the Greeks as a symbol of victory; others say it was intended to represent a loop which the river Indus makes on a vast plain in upper Cashmere as seen from the Mosque. By some it is said to represent the crown jewels or chief ornament in the old Iranian crown, which is a composite jewel of pear shape. Tradition tells us that the signing of documents in such a manner was a custom well known in the East. This design has also been called the almond, the feather, the bouquet, and the flame on account of its fancied resemblance to these objects. We have selected the name "pear" because the image it conveys is more clearly recognized by the western mind. It is that which its shape most suggests. The Pear design is common in many kinds of rugs, especially in those of Persia and Kurdistan, but it varies greatly in varieties of form and size. The large size is usually employed in the Caucasus and Southern Persia, while the small size is used more frequently in Central and Western Persia. In the Saraband, Shiraz, Herat, Khorasan, and Senna, it frequently covers the whole field. In the two former alternate rows usually have the stems of the pears turned in opposite directions, while in the three latter the stems are usually turned in the same direction."

Pear Design

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather,…

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather, the boquet, and the flame. There is a vast difference of opinion as to the origin and meaning of this motif. Some authorities claim it was intended for the fir cone, which served as an emblem of immortality and was revered by the ancients; some say it was intended for the palm leaf, which has been handed down by the Greeks as a symbol of victory; others say it was intended to represent a loop which the river Indus makes on a vast plain in upper Cashmere as seen from the Mosque. By some it is said to represent the crown jewels or chief ornament in the old Iranian crown, which is a composite jewel of pear shape. Tradition tells us that the signing of documents in such a manner was a custom well known in the East. This design has also been called the almond, the feather, the bouquet, and the flame on account of its fancied resemblance to these objects. We have selected the name "pear" because the image it conveys is more clearly recognized by the western mind. It is that which its shape most suggests. The Pear design is common in many kinds of rugs, especially in those of Persia and Kurdistan, but it varies greatly in varieties of form and size. The large size is usually employed in the Caucasus and Southern Persia, while the small size is used more frequently in Central and Western Persia. In the Saraband, Shiraz, Herat, Khorasan, and Senna, it frequently covers the whole field. In the two former alternate rows usually have the stems of the pears turned in opposite directions, while in the three latter the stems are usually turned in the same direction."

Pear Design

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather,…

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather, the boquet, and the flame. There is a vast difference of opinion as to the origin and meaning of this motif. Some authorities claim it was intended for the fir cone, which served as an emblem of immortality and was revered by the ancients; some say it was intended for the palm leaf, which has been handed down by the Greeks as a symbol of victory; others say it was intended to represent a loop which the river Indus makes on a vast plain in upper Cashmere as seen from the Mosque. By some it is said to represent the crown jewels or chief ornament in the old Iranian crown, which is a composite jewel of pear shape. Tradition tells us that the signing of documents in such a manner was a custom well known in the East. This design has also been called the almond, the feather, the bouquet, and the flame on account of its fancied resemblance to these objects. We have selected the name "pear" because the image it conveys is more clearly recognized by the western mind. It is that which its shape most suggests. The Pear design is common in many kinds of rugs, especially in those of Persia and Kurdistan, but it varies greatly in varieties of form and size. The large size is usually employed in the Caucasus and Southern Persia, while the small size is used more frequently in Central and Western Persia. In the Saraband, Shiraz, Herat, Khorasan, and Senna, it frequently covers the whole field. In the two former alternate rows usually have the stems of the pears turned in opposite directions, while in the three latter the stems are usually turned in the same direction."

Pear Design

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather,…

Built on the right angle triangle and, like the Signet of David, it is found in many of the Turkish and Caucasian fabrics and to it scores of patterns may be traced.

Solomon's Seal

Built on the right angle triangle and, like the Signet of David, it is found in many of the Turkish…

The general name of certain genera of carnivorous mammals, havin feet adapted for swimming, and being able to live both in and out of water.

Seal

The general name of certain genera of carnivorous mammals, havin feet adapted for swimming, and being…

To graft two plants together using the tongue or whip grafting approach, you must first make a sloping cut in the rootstock with a 'tongue' pointing up. Next you must make a matching cut in the scion wood with a 'tongue' pointing downwards. Finally you join the two, ensuring maximum contact of the cambium layers. Bind with rafia or polythene tape and seal with grafting wax.

Tongue Grafting

To graft two plants together using the tongue or whip grafting approach, you must first make a sloping…

The official seal of the U.S. state of Alabama in 1889.

Alabama

The official seal of the U.S. state of Alabama in 1889.

The official seal of the U.S. state of Arkansas in 1889.

Arkansas

The official seal of the U.S. state of Arkansas in 1889.

The official seal of the U.S. state of California in 1889.

California

The official seal of the U.S. state of California in 1889.

The official seal of the U.S. state of Colorado in 1889.

Colorado

The official seal of the U.S. state of Colorado in 1889.

The official seal of the U.S. state of Connecticut in 1889.

Connecticut

The official seal of the U.S. state of Connecticut in 1889.

The official seal of the U.S. state of Delaware in 1889.

Delaware

The official seal of the U.S. state of Delaware in 1889.

The official seal of the U.S. state of Florida in 1889.

Florida

The official seal of the U.S. state of Florida in 1889.

The official seal of the U.S. state of Georgia in 1889.

Georgia

The official seal of the U.S. state of Georgia in 1889.

The official seal of the U.S. state of Illinois in 1889.

Illinois

The official seal of the U.S. state of Illinois in 1889.

The official seal of the U.S. state of Indiana in 1889.

Indiana

The official seal of the U.S. state of Indiana in 1889.

The official seal of the U.S. state of Iowa in 1889.

Iowa

The official seal of the U.S. state of Iowa in 1889.

The official seal of the U.S. state of Kansas in 1889.

Kansas

The official seal of the U.S. state of Kansas in 1889.

The official seal of the U.S. state of Kentucky in 1889.

Kentucky

The official seal of the U.S. state of Kentucky in 1889.

The official seal of the U.S. state of Louisiana in 1889.

Louisiana

The official seal of the U.S. state of Louisiana in 1889.

The official seal of the U.S. state of Maine in 1889.

Maine

The official seal of the U.S. state of Maine in 1889.

The official seal of the U.S. state of Maryland in 1889.

Maryland

The official seal of the U.S. state of Maryland in 1889.

The official seal of the U.S. state of Massachusetts in 1889.

Massachusetts

The official seal of the U.S. state of Massachusetts in 1889.

The official seal of the U.S. state of Michigan in 1889.

Michigan

The official seal of the U.S. state of Michigan in 1889.

The official seal of the U.S. state of Minnesota in 1889.

Minnesota

The official seal of the U.S. state of Minnesota in 1889.

The official seal of the U.S. state of Missouri in 1889.

Missouri

The official seal of the U.S. state of Missouri in 1889.

The official seal of the U.S. state of Nebraska in 1889.

Nebraska

The official seal of the U.S. state of Nebraska in 1889.

The official seal of the U.S. state of New Hampshire in 1889.

New Hampshire

The official seal of the U.S. state of New Hampshire in 1889.